《太阳背后》又译为《血溅艳阳天》，是2001年在意大利上映的一部影片。讲述了20世纪初，巴西内陆的穷山僻壤里，家族之间为争夺土地进行了激烈的斗争。

基本资料(版权信息 内容简介 演员表)

主演介绍(罗德里格·桑托罗 丽塔·阿斯麦尼 路易斯·卡洛斯·瓦斯索洛斯 José Dumont (Father) Ravi Ramos Lacerda (Pacu) Flavia Marco Antonio (Clara))

影片相关(导演介绍 相关影评)

基本资料

版权信息

【中文名称】：太阳背后【英文名称】：Behind The Sun

【别名】：Abril Despedaçado

【其他翻译】： 血溅艳阳天/太阳背面

【发行时间】：2001年09月06日

【对白语言】： 葡萄牙语

【上映时间】： 2001年09月06日 ( 意大利 )

【导 演】： 沃尔特·萨雷斯 Walter Salles

【编 剧】： 伊斯梅尔·卡戴尔 Ismail Kadare 卡林·艾努兹 Karim Ainouz

【地 区】： 法国 巴西 瑞士 ( 拍摄地 )

【电影评分】： 7.6/10( 882票 )

【颜 色】： 彩色

【类 型】： 剧情片

【时 长】： 105 分钟

【声 音】： DTS Dolby Digital

【分 级】：瑞典：11 德国：12 瑞士：12 英国：12 巴西：12 葡萄牙：M/12 阿根廷：13 美国：PG-13 智利：14 香港：IIA 法国：U 新加坡：PG

内容简介

故事发生在1910年。巴西内陆的穷山僻壤里，家族之间为争夺土地进行了激烈的斗争。布雷维斯家族在与邻居长年进行的战斗中失去了长子，父亲将儿子死时身着的白衬衫保存了下来，直到上面的斑斑血迹变黄，他以此作为复仇的信号。他派出次子汤诺替兄报仇。父亲的嘱托和家族的耻辱成了汤诺年轻生命中难以承受的重负，他的青春从此消耗在对仇人长期的追逐中。

汤诺终于以一种残忍的方式完成了这一任务，但他并没有因此而得以解脱。对手的惨死在他的心中留下了深深的烙印，他为自己冷血的行为感到痛苦。于是他诚恳地向死者的祖父请求原谅，并希望和对方家族达成协议以结束长期的暴力斗争。但汤诺的这一期望无异于一种虚幻的妄想，沉浸在悲痛中的老人只同意让这次和平持续到下一次满月，他要让汤诺付出血的代价。

面对生死未卜的前途，汤诺在逃离与接受挑战之间徘徊。一对流浪歌手——塞鲁丝提诺和她的继女克莱拉——的到来给村庄带来了欢乐，她们让汤诺看到了生活的另一面。但克莱拉和他的相爱并不能改变阴暗的未来，随着满月日的一天天临近，汤诺必须为生命而展开搏斗

演员表

José Dumont .... Father

Rodrigo Santoro .... Tonio

Rita Assemany .... Mother

Ravi Ramos Lacerda .... Pacu

Luiz Carlos Vasconcelos .... Salustiano

Flavia Marco Antonio .... Clara

Everaldo Pontes .... Old Blind Man

Caio Junqueira .... Inácio

Mariana Loureiro .... Widow

Servilio De Holanda .... Isaias

Wagner Moura .... Matheus

Othon Bastos .... Mr. Lourenço

Gero Camilo .... Reginaldo

Vinícius de Oliveira .... Ferreira Family Member

Soia Lira .... Ferreira Family Member

主演介绍

罗德里格·桑托罗

Rodrigo Santoro (Tonho)Behind the Sun is Rodrigo Santoro's second feature film. For Bicho de Sete Cabeças, by Laís Bodanzki, his film debut (winner of the Youth Prize at the Locarno Film Festival 2001), Rodrigo Santoro was chosen Best Actor at the Recife and Brasilia Film Festivals. (2000). His performance as a young student locked up in a mental hospital by his own father was praised by Brazilian critics, who named him as one of the country's promising talents. Before working in film, Rodrigo Santoro worked in television and in the theater.

丽塔·阿斯麦尼

Rita Assemany (Mother)

Rita Assemany began working in the theater as an adolescent, in 1980. Soon she became one of the most respected actresses in Bahia, appearing in productions of All Nudity Shall Be Punished, The Balcony, The Decameron, and Cabaré Brazil, among other plays. In 1992 she starred in the monologue Oficina Condensada, which became a great success with the public and ran for more than one year. In 1997, she was directed by Hans Ulrich Becker in a production of Medea. In film, Rita Assemany appeared in Central Station, by Walter Salles, and is the only actress who plays in all three episodes of the feature Três Histórias da Bahia. For the short film Pixaim, she won awards as Best Actress at the Curitiba and Brasilia Film Festivals.

路易斯·卡洛斯·瓦斯索洛斯

Luiz Carlos Vasconcelos (Salustiano)From Umbuzeiro in Paraíba, Luiz Carlos Vasconcelos has been transforming himself into the clown Xuxu for 23 years, a character that is the result of his passion for the circus and one of the reasons that led Walter Salles to invite him to play the circus performer Salustiano in Behind the Sun. His talent as a theater director in Paraíba became nationally known at the beginning of the 1990s, when his production of Vau da Sarapalha, an adaptation of a short by Guimarães Rosa, traveled throughout Brazil winning over critics and the public. Luiz Carlos Vasconcelos debuted as a film actor playing the bandit Lampião in Perfumed Ball, by Lírio Ferreira and Paulo Caldas (1997). In 1999 he played one of the principal roles in Midnight/The First Day by Daniela Thomas and Walter Salles, for which he was chosen Best Actor by the São Paulo Art Critics Association. Another standout role in film came in Me You Them, by Andrucha Waddington, selected to be shown at Un Certain Regard at the Cannes Film Festival in 2000.

José Dumont (Father)

Born in Paraíba in 1950, José Dumont began acting in theater at the beginning of the 1970s. After appearing in films such as Lucio Flavio, by Hector Babenco, and Gaijin: Roads to Freedom, by Tizuka Yamasaki, he established himself as one of the most important actors in Brazilian cinema. In 1979, he played a migrant from the northeast in O Homem que Virou Suco, by João Batista de Andrade, a role that won him the prize for Best Actor at the Gramado and Brasilia film festivals. At the Havana Film Festival in 1985, he was chosen Best Actor for three films: O Baiano Fantasma, by Denoy de Oliveira, Avaeté, Seed of Revenge by Zelito Viana, and Tigipió, by Pedro Jorge de Castro. Other standout roles in film include Hour of the Star, by Suzana Amaral, At Play in the Fields of the Lord, by Hector Babenco, and Kenoma, by Eliane Caffé.

Ravi Ramos Lacerda (Pacu)

Behind the Sun is Ravi Ramos Lacerda's first feature film. He was chosen from among the hundreds of children who were screentested. Ravi began appearing as an actor in public theater festivals in João Pessoa, in Paraíba, where he was born. He received acclaim for a show in which he played a beggar boy who imitated Charlie Chaplin. In film, Ravi also appeared in the short movie A Árvore da Miséria, winner of various awards at Brazilian film festivals.

Flavia Marco Antonio (Clara)

Flavia Marco Antonio was born in São Paulo in 1978, but chose to live in Salvador, Bahia, where she has lived since she was 18. In love with the circus, Flavia enrolled in the Picolino School of Circus Arts of Salvador in 1996, and today remains a member of the school's company. At the beginning of 2001, she performed in a 40-day tour of six cities in France in a show presented by the Picolino School. Flavia also belongs to the group Clowns Forever (Palhaços Para Sempre), dedicated to the study of the art of clowns. The same year she tested for Behind the Sun, she began studies at the Theater School of the Federal University of Bahia. She has already appeared in several shows in Salvador, among them Improvisation Nights, which had a successful run at the Castro Alves Theater.

影片相关

导演介绍

1998年一部温情动人的小品《中央车站》让巴西导演华特·塞勒斯名声大噪。塞勒斯作为90年代晚期巴西电影重新赢得国际声誉的先锋人物，他的道路走得并不平坦。他错过了60、70年代的兴盛繁荣期，却在80年代巴西电影工业日益衰落时以一部获奖纪录片进入影坛。在他执导了故事片处女作《曝光》后，就因巴西经济的低迷不振无法得到拍片的机会。不过他仍然以给欧洲电视台拍摄纪录片保持着活跃。

1995年，随着巴西经济的逐渐复苏，他得以与另一名导演共同执导了影片《异国他乡》（Foreign Land），这部影片使国际影坛重新开始关注沉寂多年的巴西电影，获得了广泛的好评。同年他还拍摄了纪录片《生活在别处》，这部作品成为他轰动一时的影片《中央车站》的灵感来源。这部影片不仅打动了万千观众的心，更在世界各地取得了50多个奖，其中包括柏林电影节金熊奖和最佳女演员奖。

塞勒斯过去的作品多处理有关寻找起源和自我发现的历程的主题，尤其是在《中央车站》中通过公路电影的形式得到了出色的表现。而这部影片依旧涉及了这一主题，虽然此次已经从个人的层面转向了更加复杂宏大的文化层面。这部影片根据阿尔巴尼亚作家伊斯梅尔·卡戴尔的小说《破碎的四月》改编，塞勒斯称自己为其中残忍的力量所震慑，同时富有神话色彩的家族冲突的传奇故事也深深地吸引了他，特别是作家塑造了一位被命运所驱使、不得不违心地卷入暴力旋涡中的男主角。

塞勒斯和他的合作者在改编小说时，从古希腊悲剧中寻找灵感，尤其是受到了埃斯库罗斯的启发。他们发现古希腊原始而血腥的争斗与世纪之初巴西某些偏远地区的情况颇为相似，于是他们按照古希腊悲剧的形式进行改编，将小说的背景移植到巴西。

塞勒斯十分偏爱使用职业演员与非职业演员相混合的形式，这一次他更大规模地启用了非职业演员，光挑选就花费了一年时间。而外景地超过摄氏40度的高温一度让拍摄工作十分困难，不过他们的坚持使影片得到了满意的效果。

一方面是血债必须偿还，杀戮和暴行永远都不会被忘记；另一方面则存在着战胜死亡的强烈欲望。这部电影就是试图讲述这两者之间的冲突。” 塞勒斯如此描述自己的作品。

影片入选今年威尼斯电影节正式竞赛单元，并将代表巴西参加明年奥斯卡最佳外语片的角逐。

相关影评

华特·塞勒斯远离了具有新现实主义风范的《中央车站》感伤的氛围和细腻的笔触，带来了一部高度戏剧化的、颇有西部片风格的影片。古希腊悲剧与拉美粗犷的民风完美融合在一起，使整部影片呈现出磅礴的气势。

《中央车站》中的温情被血腥的暴力所代替，影片集中于挖掘人性中具有毁灭性倾向的一面，展示了世世代代纠缠不休的仇恨、笼罩在生命之上的死亡阴影以及试图摆脱这一死亡循环的愿望，影片的描写尖锐而惊心动魄。

情感冲击力来自于导演将他的悲剧性人物与烈日下壮阔的风景结合在一起，在摄影师的精心处理下，那些巴西内陆的穷山陋水展现出一种蛮荒的力量。整部电影对自然风景的有效利用使影片画面华丽壮观。职业演员与非职业演员天衣无缝的默契配合也让影片增色不少。

不过其中隐晦的象征和深沉的文化反思可能会让它难以像清新的《中央车站》般受到广泛的欢迎。