Ron Arad: No Discipline

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内容简介

中文简介

Ron Arad: No Discipline

作　者/Author:Paola Antonelli 著出 版 社/Publisher:The Museum of Modern Art，New York

中文书名/Chinese Title:阿诺德的设计

ISBN:9780870707599

出版时间/Publication Date:2009-08-10

页　数/Pages:216

装　帧/Format:平装

纸　张/Paper:胶版纸

正文语种/Language:英文

所属分类/Category:图书 > 英文原版书 > Arts & Photography（艺术与摄影）

图书 > 英文原版书 > Nonfiction（非虚构类）

定 价：￥222.40

京 东 价：￥121.10（55折）

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Edited by Paola Antonelli. Text by Paola Antonelli, Judith Benhamou-Huet, Jonathan Safran Foer, Marie-Laure Jousset, Ingeborg de Roode.

内容简介

Even among the most influential designers of our time, Ron Arad stands out for the versatile nature of his work and his daredevil use of materials and technology. Idiosyncratic, surprising and always visually arresting, Arad's work communicates the joy in creation, the pleasure in invention and pride in technical and constructive qualities. His designs move from limited to almost unlimited series, from handmade to industrial, from carbon-fiber armchairs to polyurethane bottle racks. In work now plastic and tactile, now ethereal and conceptual, he has deftly avoided a recognizable style for more than 20 years. His style is rather a matter of character, reflective of his disregard for established disciplines.

Through his own output and his decade-long tenure as the head of the Design Products graduate program at the Royal College of Art in London, Arad has greatly influenced the current debate on design's relationship with art, technology and innovation and nurtured some of the most promising young designers in today's international scene. Published to accompany the first major retrospective of Arad's work in the U.S., this volume features an interview with the artist and essays on his use of innovative materials and technology, his role as an educator and communicator on the importance of design and his place in the world of design and the larger art market. A lavishly illustrated plate section provides visual and written documentation of approximately 80 works.

中文简介

即使在最具影响力的设计师我们的时间,罗恩对多才多艺的亚拉得自然突出他的工作和他的勇敢的使用的材料和技术。特质,令人惊讶的,总是视觉拘捕,阿拉德的工作沟通的喜悦在创新、发明和骄傲的乐趣在技术和建设性的品质。他的设计从有限进入移动几乎无限的系列,从手工到工业,从碳纤维扶手椅对氨纶瓶架。在工作了塑料和触觉,现在无形的和概念上的,他有一个可辨认的风格巧妙地避免了超过20年。他的风格是一个相当重要的角色,能反映出他无视建立学科。

他通过自己的输出和他任期的头十年的研究生课程在设计产品的皇家艺术学院在伦敦,一同极大的影响了当前的辩论与艺术设计的关系,以科技创新和培养的一些最有前途的年轻设计师在今天的国际舞台。出版的第一个主要回顾陪伴的阿拉德的在美国工作,该量的特征去采访的艺术家和有关他使用的材料和技术创新,他作为一个教育工作者和传播者的角色设计的重要性和他在世界上的地位的设计和更广泛的艺术市场。一个奢侈板部分提供了视觉和的书面文件大约80的作品。