起源(引用)

提琴曲

引申-吉普赛人

起源

Csárdás（或Czárdás）（匈牙利语： [tʃaːRDAːʃ] ，英文： /tʃɑrdæʃ /或//zɑrdəs）是一个传统的匈牙利 民间舞蹈，从csárda（旧匈牙利长期派生的名称酒馆）。它起源在匈牙利和罗姆人（Cigány）音乐乐队在匈牙利和邻近的土地： 塞尔维亚，斯洛伐克 ，斯洛文尼亚，布尔根兰州，克罗地亚，乌克兰， 特兰西瓦尼亚 和摩拉维亚，以及巴纳特保加利亚之间推广，包括保加利亚 。[ 2 ]

的Csárdás的起源可以追溯到18世纪匈牙利 verbunkos，作为招聘舞蹈由匈牙利军队使用 。

Csárdás是在变化的节奏特点：它开始慢慢（ lassú）和在一个非常快节奏的结束（ friss，字面意思是“新鲜”） 。有其他的节奏变化，被称为ritka csárdás ，苏茹 csárdás 和szökős csárdás 。音乐是在2 / 4或4 / 4 的时间 。

Csárdás (or Czárdás) (Hungarian: [ˈtʃaːrdaːʃ], English: /ˈtʃɑrdæʃ/ or /ˈzɑrdəs/) is a traditional Hungarian folk dance, the name derived from csárda (old Hungarian term for tavern). It originated in Hungary and was popularized by Roma music (Cigány) bands in Hungary and neighboring lands of Serbia, Slovakia, Slovenia, Burgenland, Croatia,Ukraine, Transylvania and Moravia, as well as among the Banat Bulgarians, including those in Bulgaria.[2]

The origin of the Csárdás can be traced back to the 18th century Hungarianverbunkos, used as a recruiting dance by the Hungarian army.

The Csárdás is characterized by a variation in tempo: it starts out slowly (lassú) and ends in a very fast tempo (friss, literally "fresh"). There are other tempo variations, called ritka csárdás, sűrű csárdás and szökős csárdás. The music is in2/4 or 4/4 time. The dancers are both male and female, with the women dressed in traditional wide skirts, usually colored red, which form a distinctive shape when they whirl.

Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and others. The csárdás from Strauss' operettaDie Fledermaus, sung by the character Rosalinde, is probably the most famous example of this dance in vocal music. Probably the best-known instrumental csárdás is thecomposition by Vittorio Monti written for violin and piano. This virtuosic piece has 7 tempo variations. A recording of Monti's tune was made by Freddie Martin and His Orchestra (Whispering: Gene Conklin) in Holywood on November 6, 1948. It was released by RCA Victor Records as catalogue number 20-3123[3] and by EMI on the His Master's Voice label as catalogue number B 9716. The tune was arranged by Ballard.

引用

1. Blatter, Alfred (2007). Revisiting music theory: a guide to the practice, p.28. ISBN 0415974402.

2. Kaufman, Nikolaj (2002). "Pesnite na banatskite bǎlgari" (in Bulgarian). Regionalni proučvanija na bǎlgarskija folklor. Tom 4. Severozapadna Bǎlgarija: obštnosti, tradicii, identičnost: p. 36. ISSN 0861-6558.

3. RCA Victor Records in the 20-3000 to 20-34999 series

提琴曲

Csardas (Gypsy Dance)

歌手：David Garrett

语种：暂无

所属专辑：David Garrett (戴维·嘉雷特)

所属唱片公司：暂无

审批文号：暂无

引申-吉普赛人

有一句古老的谚语说:“没有吉卜赛人的地方就不算一个城镇”。吉卜赛人是一个喜欢流浪的民族，从巴尔干半岛到阿尔卑斯山脉，从地中海沿岸到多瑙河畔，到处都有他们的足迹。他们的生活哲学是:“时间是用来流浪的，身躯是用来做爱的，生命是用来遗忘的。”——而他们的灵魂是用来唱歌的，他们坐着颠簸的大篷车，在一个又一个城镇之间游荡，一把吉他，一管蛇笛，一只用来给人占卜的水晶球，便是他们谋生的工具。他们在闹市的街头弹奏着乐曲，快乐地跳舞、唱歌，也不管路人到底投下几个铜板。大约在19世纪初，流浪于匈牙利的吉卜赛人流行一种叫做“恰尔什达”（Csardas）的民间舞蹈，这种舞曲的艺术魅力曾经感染过李斯特、柏辽兹以及勃拉姆斯等欧洲浪漫主义音乐家。