| 词条 | Blues People |
| 释义 | Blues People作 者/Author:Leroi Jones 著出 版 社/Publisher:HarperCollins ISBN:9780688184742 出版时间/Publication Date:1999-06-24 页 数/Pages:256 装 帧/Format:平装 正文语种/Language:英文 所属分类/Category:图书 > 英文原版书 > Arts & Photography（艺术与摄影） 定 价：￥110.10 京 东 价：￥57.70（53折） 内容简介"The path the slave took to 'citizenship' is what I want to look at. And I make my analogy through the slave citizen's music — through the music that is most closely associated with him: blues and a later, but parallel development, jazz... [If] the Negro represents, or is symbolic of, something in and about the nature of American culture, this certainly should be revealed by his characteristic music." So says Amiri Baraka in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From the music of African slaves in the United States through the music scene of the 1960's, Baraka traces the influence of what he calls "negro music" on white America — not only in the context of music and pop culture but also in terms of the values and perspectives passed on through the music. In tracing the music, he brilliantly illuminates the influence of African Americans on American culture and history. 中文简介“路径”公民的奴隶了就是我想看。我让我的类比通过奴隶公民的音乐-通过音乐是最紧密联系在一起他:蓝军和后,但并行开发,爵士…[如果]黑人代表,或者是象征性的某样东西,在美国文化的本质,这当然应该表明其具有鲜明特色的音乐。” 所以说Amiri介绍Baraka蓝军的人,他的经典著作中对爵士乐和蓝调的地方,在美国社会、音乐、经济和文化历史。从音乐的非洲奴隶在美国通过音乐圈的1960年代,Baraka痕迹影响他所谓的“黑人音乐“白人至上的美国社会——不仅体现在音乐和流行文化,还表现在对价值观和观点通过音乐。在跟随音乐,他出色地阐明了影响非洲裔美国人对美国的文化和历史。 作者简介Amiri Baraka, born Leroi Jones in 1934, is a poet, playwright, novelist, critic, and politcal activist. Best known for his highly acclaimed, award-winning play "Dutchman," as well as "The Slave, The Toliet," and numerous poetry collections. He lives in Newark, New Jersey. |
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