词条 | 追随可能性:罗伯特·克里利诗歌尺度研究 |
释义 | 图书信息出版社: 中山大学出版社; 第1版 (2011年8月1日) 外文书名: Following Possbilities:On Robert Creeley's Poetic Measures 丛书名: 新视野学术文库 平装: 233页 正文语种: 英语 开本: 32 ISBN: 9787306039484, 7306039482 条形码: 9787306039484 尺寸: 20.6 x 14.2 x 1.8 cm 重量: 458 g 作者简介刘朝晖,1970年生,湖南科技大学英语语言文学学士,湖南师范大学英语语言文学硕士,中山大学英语语言文学博士。深圳职业技术学院副教授。主要从事英语诗歌与诗论研究。近年来,在《当代外国文学》等核心刊物和《广州大学学报》等一般刊物上发表学术论文近二十篇。 内容简介《追随可能性:罗伯特?克里利诗歌尺度研究》探讨了美国投射派诗人罗伯特?克里利关于诗歌及其形式、语言和情感的四个尺度:①诗歌是诗人自身现象性的衡量;②形式是内容的延伸;③词语是事物:④情感是诗歌的首要尺度。 “诗歌是诗人自身现象性的衡量”这一尺度强调时间的偶然流动,强调瞬间先于形式,强调同一性主体的消解以及世界的碎片性。“形式是内容的延伸”尺度则是投射诗三原理之一,它推翻形式与内容的二元对立,丰富了诗歌内容和形式的可能性。“词语是事物”的尺度涉及诗歌语言;在克里利的诗歌中,该尺度从四个方面得到体现:①阻碍语言和现实的联系;②直接以言行事;③削弱语言的主观性;④凸显语言自身特质。“情感是诗歌的首要尺度”,正因为克里利同时遵循其他三个尺度,他的情感表达方式与浪漫派和自白派诗人大相径庭。 克里利的四个尺度相互紧密联系着。一方面,遵循一个尺度意味着同时遵循其他尺度;另一方面,违背一个尺度也将背离其他尺度。这四个尺度继承并发展了惠特曼-庞德-威廉斯以降的美国诗歌传统,为语言诗的发展做出了重要的贡献。 目录Introduction Chapter One Poetry: The Measure of the Poet's Own Phenomenality 1.1 The Measure of the Poet's Own Phenomenality: Contexts and Meaning 1.1.1 Contexts 1.1.2 Meaning 1.2 The Measure of the Poet's Own Phenomenaiity as Reflected in Creeley's Poetry 1.3 A Contemporary Version of Negative Capability 1.3.1 Definition 1.3.2 Similarities 1.3.3 Differences Chapter Two Form: An Extension of Content 2.1 A Brief Survey of the Relation Between Form and Content 2.2 Creeley's Poetics of Form and the Poetics of Projective Verse 2.2.1 Creeley's Poetics of Form 2.2.2 Creeley's Poetics of Form as Related to the Poetics of Projective Verse 2.3 A Demonstration of Creeley's Poetics of Form—— "Le Fou" 2.4 Postmodemity of Creeley's Poetics of Form 2.5 Inconsistency between Creeley's Theory and Practice Chapter Three Words:Self-Contained Things 3.1 Indications of Words' Thingness in Creeley's Poetry 3.1.1 Problematized Language-reality Nexus 3.1.2 Words Doing Things 3.1.3 Weakened Subjectivity 3.1.4 Highlighted Physical Features of Language 3.2 Approach to Words' Thingness: Literality Instead of Objectivity 3.3 Suspicious Elements in Cree|ey's Poetics of Language 3.4 A Genealogy of Creeley's Poetics of Language 3.4.1 Sources 3.4.2 Influence Chapter Four Emotion: A Primary Measure for Poetry 4.1 Emotion and Poetry 4.2 Emotion and Creeley's Poetry 4.3 Emotion as Related to the Other Three Measures 4.4 Creeley's Mode of Turning Out Emotion as Distinguished from Wordsworth's and Lowell's 4.4.1 Creeley and Wordsworth: Betraying vs Expressing 4.4.2 Creeley and Lowell: Exact vs General Conclusion Works Cited Appendix: Biographical Chronology of Robert Creeley |
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