图书信息

内容简介

目录

图书信息

出版社: 外语教学与研究出版社; 第1版 (2009年7月1日)

丛书名: 北京外国语大学2006年博士文库系列

平装: 264页

正文语种: 英语

开本: 32

ISBN: 9787560088211

条形码: 9787560088211

尺寸: 20 x 13.8 x 1.2 cm

重量: 259 g

内容简介

《"他者"的声音:吉恩·瑞斯西印度小说中的抵抗话语》试用新历史主义与后殖民主义文论解读英国现当代小说家吉恩。瑞斯的西印度小说（《藻海无边》、《黑暗中的航行》及四个短篇小说）。通过“逆写”英国19世纪的殖民话语场，瑞斯的作品试图改写被欧洲中心主义意识形态不断刻写的殖民历史，从而给那些一度被边缘化和被迫失语的西印度“他者”们以说话的机会。通过质问、挪用、消解欧洲中心主义话语，昔日的“贱民”们终于发出了自己的声音。由于“阈限空间”内部存在的差异，他们的声音表现出多样性特征，而作为一个整体，这些声音则构成了一种强有力的后殖民抵抗话语。

为使其殖民统治合法化并长期维持下去，大英帝国利用各种“经典”文本建构了一个庞大的殖民话语场。在这个话语场中，西印度人被塑造成下贱的“他者”，并被剥夺了说话的权利。作为一种抵抗话语，瑞斯的作品向这个话语场发起了反击，揭发了大英帝国“文明使命”的谎言，暴露了殖民话语内部的矛盾，并深入探讨了后殖民身份问题。由于欧洲对西印度群岛殖民化所导致的文化混杂，瑞斯笔下的克里奥耳白人主人公安托瓦内特与安娜·摩根被迫置身于楼梯井状的“第三度空间”，她们的文化身份也因文化界限的模糊而无法得到清楚的定义。这种摇摆不定的“夹缝”处境给她们带来了痛苦的经历，但同时也为抵抗以自我/他者二元对立为基础的殖民表述提供了有利地位。在与殖民者的交锋中，.以克里斯托芬为代表的克里奥耳黑人与混血人种则以加勒比地域文化为根基，以奥比巫术、反殖烈火、故意沉默、身体、克里奥耳英语等为武器直面殖民霸权，用暴力与非暴力革命方式实践着自己的反抗。这些抵抗话语为挑战欧洲中心话语、改写殖民历史奠定了坚实的基础。

目录

Introduction

Chapter One Colonial Discourse and Postcolonial Counter-discourse

I. Interrogating Colonial Discourse

A. History as Discourse: A New Historical View

B. Colonial Discourse: A Critical Review

II. Exploring Postcolonial Counter-discourse

A. Counter-discursive Strategies: A General Review

B. Mimicry as Camouflage

C. Cultural Hybridity as a Double-edged Sword

1. "Cultural Hybridity" Reexamined

2. Cultural Creolization: The West Indian Version

Chapter Two West Indian "Other" in the British Colonial Discursive Field

I. West Indian "Other" in "History".

A. West Indian Historiography: A General Review

B. Colonial Discourse Implied in the Carlyle-Mill "Negro Question" Debate

C. "Morant Bay Revolt" in "History"

II. West Indian "Other" in "Science"

III. West Indian "Other" in Literature

A. Victorian Literature and the West Indies: A GeneralReview

B. Colonial Discourse in Jane Eyre Chapter Three Colonial Encounter on the ImperialPeriphery

I. An Alternative History: Wide Sargasso Sea

A. "There Is Always the Other Side"

B. Wide Sargasso Sea as Posteolonial Subversion

1. From Jane Eyre to Wide Sargasso Sea: An Intertextual Dialogue

2. Wide Sargasso Sea and the Politics of Mimicry

C. "Englishness" in the Imperial Space

D. Antoinette on the Borderland

1. Caught in between

2. Crossing the Borders

3. Voicing the White Creoles

E. Voices of Other Creoles

1. Sameness and Difference

2. Articulating Themselves

II. Colonial Confrontation and Condensed Anxiety

A. Identity Crisis: "The Day They Burned the Books".

B. The Battle of Discourse: "Again the Antilles"

C. The Cost of Boundary Transgression: "Pioneers Oh, Pioneers"

Chapter Four Colonial Encounter in the Imperial Center

I. England through West Indian Eyes: Voyage in the Dark

A. Anna Morgan: Exile in the "Mother Country"

1. "Alien" in the Metropolis

2. Outcast in between Two Worlds

B. Resistance from the Margin

1. A Gaze Back at the "Heart of Darkness"

2. The Art of Appropriation

3. The Politics of the Carnival

II. The Rhythm of"english": "Let Them Call It Jazz"

Conclusion

Works Cited